The further east I went, the better the actors got. I spent a lot of time interviewing actors in L.A. John Harrison: I knew I was going to do a lot of casting out of the U.K., but we had been really looking for Paul. Thoughts turned to how they would build the world of the show, and casting began in earnest. The Sci-Fi Channel agree and three two-hour movies were greenlit. Alec Newman as Paul Atreides in Frank Herbert’s Dune. There’s a section about Dune, a section about Muad’Dib, and a section about the prophet.
There are three books in that first book.
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I knew doing the project as a miniseries, I was going to have a great deal more time to tell the story than David had.įortunately for me, Herbert made it easy to pitch – the book really gives us the guidelines for how to do this. John Harrison: I thought, we’re doing this for television, we’re not trying to compete with David’s film, let’s just try to do something really unique and tackle the story in a way it hasn’t before. Miller: I re-read the first Dune book and I was like, how are they going to do this?
He called me up and said, ‘I’ve got the rights to this sci-fi novel, I don’t know if you’ve ever read it, called Dune.’ I said, ‘Yeah, I’ve read it.’ (laughs) He thought I might be interested in pitching it. John Harrison: I knew Richard Rubinstein really well. Rubinstein picked up the screen rights to Herbert’s novels in 1996. Former George Romero collaborator Richard P. | Courtesy of John Harrisonĭespite the endless never-realized attempts by Alejandro Jodorowsky and directors like Ridley Scott to bring it to the screen as well as Lynch’s noble failure, there were always people who wanted to see it done properly as a movie. Writer/director John Harrison takes a call on the throne of the Padishah Emperor. We had the time on-screen to tell this story in a way that would avoid what happened with the David Lynch version. I haven’t seen the three-and-a-half hour version though. David Lynch, who is a visionary and slightly leftfield, directing a version of Frank Herbert’s Dune, which is visionary and slightly leftfield, it got TOO confusing. Greg Yaitanes (director, Children of Dune)Īlec Newman (actor, Paul Atreides): One of the problems with David Lynch directing, it’s like a double negative effect. I had lunch with Sting once and I wanted to talk about Dune, but he wouldn’t talk about Dune… it must have been quite an experience. A lot of the criticism I would read online, was, ‘They didn’t have the black outfits and it didn’t rain like it did in the David Lynch version’ – no, of course, it didn’t! Because David Lynch did a terrible job, it was an awful movie. Miller (editor, associate producer): Dune has a lot of baggage, a lot of pre-conceptions. It had such incredibly beautiful imagery, but the adaptation of Herbert’s story left a lot to be desired as far as a fan like I was concerned. John Harrison (writer/director): I have enormous admiration for Lynch as a director, but I don’t think that project turned out the way he wanted.